author

The Tightest Bud

Sometimes, you awaken,

To accept that a human

Will never choose you;

That no matter how much

You love; how much you

Give your open heart;

Growing and changing,

Some humans will

Always categorize you

Into a space that will

Never change or fit

Into their life… not fully.

You are not the one

They call when

Their heart hurts

Or because they

Miss your voice.

You are not their

First choice in

The moments that

Matter most.

Sometimes acceptance

Settles in and

You cry after

Saying goodbye because

You realize that truth

Has stared you

Straight in the eyes;

That you will always be

The friend, the occasional

Twist and bend, yet

Still you hope, open

Like a flower then

Close back into

The tightest bud,

Because words ring

Loud and you

Sit in the wake of

Your own mistakes;

Never trusted

Even as you gave

All of yours in

The most intimate ways.

So, the minutes,

They crumble like stone

As you find that home

Can be only in yourself;

That this world is not

For the Otherkin

To be coupled with Humans.

And in the end

The Hybrid finds aloneness

To be their Earth’s purpose,

And this existence

Becomes more

Of a struggle,

Sifting through the rubble

Of human energy remains.

Vennie Kocsis is the best-selling author of CULT CHILD and radio host of SURVIVOR VOICES SHOW

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I Know Anger. It Is the Unleashing of Pain.

I visit Ethnic Fest in my city today and encounter an end times, sign toting, fear dealing kid in the park who I wind up so hard, his last words screeched at me are “WOMEN SHOULD SUBMIT TO MEN!”

But let’s back up. It happens like this. I admit. I bait him. I see the big, hypocritical sign. I go cynical and comedic. I go in for the kill. However, he IS partially responsible, since he walks my way.

Everything in its season, yes? Maybe it is his time to be touched.

When he walks by, I beckon him to a table where I sit with friends. They remain silent throughout. Then so, the conversation between the two of us begins.

“I have a question, sir.” I ask politely, pointing to his sign. “What if God tells me to believe something that Jesus says I should never obey? What then?”

“That would never happen.” He states.

“Then why tell everyone to do that?” I ask.

So begins our back and forth banter as I “innocently” start pecking at his cognitive dissonance. I ask blanketed biblical questions as if I “kinda” know the Bible. He quotes scripture like a robot. I act curious. I am wringing him like a sponge to see where his head is.

Then a couple of things happen, and things change to a negative tone very fast.

ONE

“So, the whole ritual of eating bread and drinking the juice, what does that represent?” I ask.

I have on bright blue eyeliner. I am shiny, smiling and leaned forward in interest. To him, I am a potential. His face lights up at the chance he now has. He believes he is educating me. He is in an undercover linguistic role reversal, and his ego is blind to it.

“This is how we signify ourselves. Jesus said, eat of my flesh and drink of my blood…”

“So like cannibalism.” I interrupt.

That’s when the body language shift happens. I see his muscles tense and the anger set in. He just got challenged. This is against the rules. No one trained him for this one.

“YES!” I think to myself. “I’ve got him.”

TWO

At this point, a very attractive young woman, in her possible mid twenties, passes, and she low fives him. I watch as they lock hands for a second. She has on a long, body fitting and low cut, bright green maxi dress. She sashays her hips as her shoulder-length, brown hair sways over her back.

“Good job, Brother.” She says directly to him.

“Thanks!” He responds.

His face changes as she passes. His ego was just injected. He is reminded of why he does what he does, by that beautiful girl in the green dress who says “Good job.” That feels good, something no one often said to him in life. My senses are reading multiple movements, emotions and gray areas at once.

“Flirty fishing, huh.” I say casually.

“Yeah.” He laughs. “No, wait, huh?” His face changes to very serious.

“Oh, there was this cult. You know they used attractive females to lure members.” I explain.

“Oh, no. That was just a girl I met in the parking lot who’s a Christian and KNOWS what I’m saying is true.” He is defensive.

He doesn’t catch my subtle hint, that I am educated on luring and religious scamming; that I used the word cult; that I get she is giving him her approval, and I just watched him soak it in like it was his last drink; that there’s no parking lot anywhere close to the park. She represents their possibility. Evangelism brings income, and pretty Christian girls bring possibilities.

But hey, that’s just semantics. Back to the more important topics.

“Ok, so back to the cannibalism.” I re-direct.

That word is a trigger word for him so I make sure and use it again. I want him to think about it every time he takes his communion. I want to plant anti-virus words inside his programming. He scrambles to talk about signification, and I watch him change with agitation as the conversation grows.

I am fascinated with his body language and eye movement. Each piece of debate is flipping and turning him. I play with him, arguing scriptures, letting him feel like he is winning, and I stay dumbed down.

I rile him back up by accusing him of disobeying the Bible by arguing with me, but because I won’t tell him the exact verse to back that up, he says it’s not in there.

“You haven’t read the whole Bible then.” I reverse taunt. “If you did, then you’d know that verse.”

I want him go look it up, in his need to be right and find he’s wrong. Just a couple cracks in the screen.

I ask him what church he attends. He tells me they don’t have a church. He tells me that they go to people’s houses, “PREY” with them and have Bible studies.

“So what’s your story. Tell me about your past.”

He immediately shuts down.

“I don’t talk about my past because God instructs us to be ashamed of our pasts. To ask for forgiveness for those sins, but to stay in shame. They are not to be boasted about. Aren’t you ashamed of your past?” He demand.

“Not at all.” I calmly reply. “The Bible says to testify about the struggles we come out of.”

“Well, you should be.”

Ah, the crazy making. That is supposed to trigger my shame. Yet, I have none to trigger.

“How sad.” I say quietly, looking directly at him. “To live in shame.”

He is talking over me now, and he is angry. I understand talking over. It is akin to choking someone to shut them up. He is now telling me that I am a woman, and God instructs me to submit to him. I laugh. I can’t help it. It’s funny. I know this one also. They’re trained to try and trigger females with that stupidity. It’s a sad state of mind.

I try to give him a card. He refuses to touch if. Like it might be a demon. I am glad he doesn’t take it. I’m good with this wacko not knowing who I am.

I can see he is really riled up in a very negative angry way. His roots are rocked. I know anger. Anger is the unearthing of pain.

I feel I should probably make a slight turn to calm him and wrap this up.

“Well, let me ask you something. Does the Bible say God is love?”

“It does.” He agrees, still agitated, his foot tapping rapidly.

“And we are made in God’s image?”

“Yes.” He agrees again.

“Then we are all love by that definition?” I ask softly.

He is suddenly silent. It is as if a robot has been turned off. I am actually surprised at this silence. I expected an immediate robotic response of some contrary scripture as has been his pattern. I didn’t think it would be this simple of a concept which would stump his “hell, hatred, believe and obey” theology. He appears, for the first time, to have grasped a simple thought.

I decide it is a perfect time to be done.

“Hey, thanks for talking to me. Now we can go be love!” I say cheerily, waving my hand as I turn back around to the table.

He walks away, carrying his huge sign as he calls back that I am a wicked, evil woman sinner that should submit to him aka he didn’t, as the man, get the last word in or win the possibility of my pocketbook. Or to shove his questions down; to make me the villain because being wrong isn’t an option.

And I’m thinking “People actually let this man in their homes.”

As my friends and I walk out I see another young man just like the one I’d been speaking with. He has this fancy loud speaker hanging around his neck. It has volume buttons and is attached to a headset and microphone; like the ones used at trade shows.

This guy is also holding a sign and is standing on the corner screaming to the people passing by, talking about their sins. No one is paying any of them attention. They are just park nuisances.

“You sound like Jim Jones.” I lean in fast and hard, hoping my voice picks up on the microphone.

He turns the volume off.

“What?” He asks.

“You sound like Jim Jones.” I repeat.

“Who’s that?” He’s got this confused look on his face.

“Google him. He was a preacher who talked in a microphone just like yours.”

The fact he doesn’t know who Jones is lets me know these individuals are trained cultists who’ve been sequestered from common known truths and possibly internet access. Evangelistic missions with youngsters like this are managed by their handlers, who keep them on tight leashes.

These are swindlers’ puppets standing on festival corners looking for their handler’s next victim. Their masters have chosen the most programmed, best looking and youngest, yet legal, of them to send into the streets.

I think of Scam City. There is a tier racket going on. Extremists looking for followers. He has no church. His church is gaining entrance to people’s homes and lives with the use of a religion.

This is a dangerous criminal racket for which the “tourist” of life should be aware. Becoming a “tourist”, away from our own capable existence, molds a human into prey for the predators who use their religious wares to reel in the “tourists” who’ve become lost. But it’s a scam. Beware the mind pickpocket. They take your thoughts AND your wallet.

Vennie Kocsis is the best-selling author of CULT CHILD and other publications. She is the host of Survivor Voices Show on Freedom Slips; Studio B.

Why You Should Think Twice Before Collaborating


In my twenty plus years of writing and creating art, I have rarely collaborated with other creatives. I enjoy being a stand alone, independent person. Experience has also taught me some harsh lessons in regard to collaberating.

There was one good time on Paltalk in the early 2000’s when I sang a hook for a producer in Las Vegas. We did that for fun, creating a parody song. I still have the copy of it and occasionally listen, enjoying the memory. That one was a casual and positive, collective collaboration.

The few other collaborations I’ve done have left me jaded. I hear this often from indie creatives. So why does collaborating with other creatives end up like this?

What I have experienced is a simple lack of ethics and a self-serving intent. They simply don’t give a shit. They don’t think their behavior will ever come back to haunt them.

When I say I’m going to do something for someone I do it. If I’m having struggles producing the exchange I promised, I communicate about it. I care about my character as a creative being.

In my experience, ethical creatives are difficult to find, especially when dealing with any Hollywood related type individual. My personal experience had been that many of them are narcissistic sharks who will love bomb a person with a fantastic promise; a lie to get what they want. If you plan to deal with Hollywood types, armor up and lawyer up.  Frankly, lawyer up period. 

Sometimes collaborating can be a great advantage for a creative who is starting out. It allows for networking and connection. I support guest blogging for writers. You get to control your content and you can share it as much as you want. I highly recommend this platorm for writers. I don’t consider this to be collaboration persay, as there is normally no exhange promise or writing as a collective. Guest blogging expands the reader platform for your writing.

However, in regard to exchange collaboration, the question remains. Is there going to be a balanced exchange of product and the sharing of creative work?

My previous, and certainly final, experience in being burned on exchange collaboration happened like this.

In 2015, I made a collaboration exchange agreement through email with a videographer. I wrote a poetic script for the videographer’s short video. In exchange, the videographer was going to make a video for one of my pre-recorded spoken word poetry pieces.

I emailed the videographer three of my recorded pieces. In a return email, they decide they liked my poem “Illusion”, a piece I had not publicized and would do so with the video was given to me to publicize. The videographer asked if they could put some music to to my poem. I agreed.

I waited. I watched the videographer making videos for other people, but my video had not arrived. I gave them time. I understand that paying projects come first. That’s how I work as well.

The following year, the videographer and family went through a transition, moved, had to re-settle, and so I gave space for them to balance out. Being patient and giving allowances, I waited, didn’t bother them, figuring when their dust settled, I’d receive what I was promised.

I observed as they did just that, becoming a part of a sensationalized situation. I still held space, feeling that advocacy work came first.

Yet, I saw the videographer was making videos and doing photo shoots for people. So, I decided to email and see had they forgotten about me? Possibly. It can happen when people go through life transitions. 

Ok. I stay in my critical thinking, hoping I’m not witnessing what my gut had really told me from the beginning; that people will use others for gain, then throw them away.

I messaged the videographer on Facebook messanger. I could see the person had just been active a mere fifteen minutes earlier.

Again… my message Ignored.

They’ve been active on Facebook messenger since I sent the message.

Still ignored.

So, I am resigned to take it for what if is and let it go. Now I know how these people are. True colors have shown themselves. They attach to people for as long as they might gain from them and then its seemingly over.

I do things in writing for a reason. I am a writer who likes to have proof of truth. I document. I keep emails and messages.

It was 2015 when I originally handed over the script for their video. In 2016, I have Facebook communications about the video I was supposed to receive. It is now 2017. I still have nothing.

This is about seeing the ethical system of other people. Instead of a simple response of “hey, oh gosh, so sorry this has taken so long thanks for being patient.“, I am ignored.

Guess what that triggers? Shunning. Being extracted from.  A myriad of emotional battery replaying. 

When I am treated this way, if someone asks me about them, they’ll get the truth of my negative experiemce. I don’t run in popularity contests. I don’t use people for personal gain then throw them away.

I’m not as pissed off at the lack of being given what I was promised, as I am at the blatant disrespect of being ignored. I’m no longer promoting those who are unethical people. I don’t care who they are. If you got mentioned by me in a radio interview, or your work shared to my thousands of followers and then fucked me over, you will never be promoted by me again.

There are no second chances when someone openly disrespects me. I don’t play nice. I don’t kiss the ass of academia, which is slowly phasing and dying out. I don’t worry whether someone is going to like or even endorse my work. Why?

Because running on this mindset is a recipe for being used, being bullshitted and it’s frankly, inconsequential. Most readers don’t give a shit if your novel has a forward written by someone with PhD after their name. unless you are writing an academic book.

Readers read content. I usually skip forwards as a reader, to get to the meat of a book. Most readers I know do the same. Blurbs don’t impress me either.  You can have a blurb from a president on your publication. If your book doesn’t interest me, that blurb is not going to make me buy it.

Additionally, it doesn’t necessarily sell your book. Marketing knowledge and the money to invest in advertising will sell your book/product.

So all of the spazzing and pining and usery I have experienced in my decades of being a public creative, from my experience, means nothing except being the teacher of lessons.

What matters to your audience is how well you write and create and more than ANYTHING, personally connecting with your target market.

In summary, my advise and perspective is to focus your time and energy on YOUR own work. Don’t give it away. Definitely don’t give it away on a promise, even in writing. Unless you have the resources and desire to sue, should you not receive what you were promised, more often than not, you will find yourself empty handed.

I also don’t want you to pattern your networking based on my experiences. Just take them into consideration and move forward better armed to build your boundaries.

And without QUESTION, follow your INTUITION. If your tummy feels off about it, say no and don’t look back. Don’t live in the mindset you “need” people to be successful. You only need authenticity and consumers for your product.

As you rise, people will tell you how much they can do for you, that their collaberation will make your work better, that their written forward will boost your sells and more. I disagree. I know authors with forwards by academia who are making nothing on their books because they have no marketing skills. 

Good marketing is what matters. Investing in yourself matters. Your own voice will sell your product. So, think twice before collaberating. And remember, the imagined professional reference you think might endorse your product could also lose you consumers if that professional is not respected. 

 Don’t be afraid to stand alone.

Underneath

Underneath the energy
Called skin, I
Am weighted, a
Reinvented spawn of
Seeds processed through
Universal time.

You said you
Didn’t know how
such things happen.

You lied.
I felt it inside.

I sat confirmed,
In the least, smiling.
They were duped, used,
Arrogantly believed it
Was special gifts
They received.

Oh, you fools.
We gave you nothing.

Instead, we insured a
Planetary pureness, after
You had purged the Mother,
Wringing her like a sponge,
And so the consequences will
Burn you to ashes.

Stone.

This is not your home.

Displaced energy you
Disrupt the synergy of
Life with your anger and
Separated strife, while
You beg for balance,
Yet choose to comply.

Time has bent backwards
As the hybrids rise,
Bringing in tides of
DNA advancement.

You see,
The Cabal never
Stood a chance.

We just observe them
Believe so, and in
The crevices of the skin
We live waiting
To activate the gleam
That will finally
Melt the screens
So the sleepers can see.

©VennieKocsis.com

What Happens When We Dissociate?

How does Dissociation work? Is it okay to Dissociate? What happens during Dissociation? So many questions are posed toward the phenomena of trauma Dissociation.

The scientific process of Dissociation is a brilliant function of a human being’s DNA ability. There are many aspects which could be deeply examined in regards to the phenomena of Dissociation.

  1. Where does the DNA brain and body energy go when it leaves?
  2. Is the ability to Dissociate related to how much torture/pain a human can endure?
  3. Can Dissociation be controlled by the carrier?
  4. What happens during the Dissociative process?
  5. Why do some abuse victim’s Dissociate and not others?

In my memoir, CULT CHILD, I go into great detail about my Dissociative memories. These are real experiences which are extremely clear and prevalent in my memory. They have never changed. They have only been verified.

My Dissociation process as a child did not disappear, but instead, evolved as I became an adult. When I begin to feel my energy separate from my body, a myriad of physical signals happen first.

Sounds disappear. My body feels as though it is floating. My heart rate speeds up. I begin to see my current reality in third person perspective, as an outsider looking in. This happens in a matter of seconds. Then in a blink, I am elsewhere in my mind. I, personally, tend to travel to a dimension outside of my current realm.

Because I dissociated so much as a tortured child, it seemed like a natural and smooth transition to evolve the methods I used to transition, into my own meditative states. If my environment is right, I am able to push through the physically uncomfortable Dissociation transition to access differing sectors of my brain. Now, it is a willful and purposeful action.

The most pertitant element has been grounding to insure I am not left with aftermath; that I can come back to my present reality and be able to function at my own current level. Therefore, before using this technique I usually hold an object in my hand.

For me, there are now two types of “Dissociation”. One, emerged out of a childhood fear, fight/flight instinct, which I used as I was universally assisted through surviving cult inflicted torture.

The other would emerge as a flipping of those ritual tools, utilizing the survival abilities of my childhood abuse as newly assistive methods through which I now freely access the other dimension.

So, from my experiences, there is no set answer to the “What happens when you dissociate?” question. There are too many mitigating factors.

  • a human’s level of pain tolerance
  • a human’s mental strength
  • an abuse victim’s environment
  • an abuse victim’s DNA
  • the type of abuse enacted

For instance, my Dissociations found me continuously returning to the seventh realm, as I know it, while another abuse victim I am friends with jumps to a planet within this galaxy. Yet another abuse survivor I know remains on the ceiling, watching the full extent of their abuse. One element I observe in regards to the extent of an ability to control Disaociation seems to also include a human’s personal evolvement. The more evolved human deals with less fear, thereby being able to travel easier.

To answer how one dissociates would be to speak with every abuse victim who has used Dissociation to cope. While our experiences and circumstances are all differing, what we do have in common are the physical signs, as described above.

Possibly, when we master the skill of traveling, not in fearful Dissociation, but in an ability to focus, using Dissociative abilities to access the levels of our own existence, we have come to explore our memories from a place of empowerment.

This takes work. It has taken me years to evolve my methods. I am still evolving them as I am determined to access more of my mind’s caves. It takes being healthy so the body doesn’t fall ill. One must be able to be in a soothing environment to do this work. Because it is emotionally laborious, most Dissociation carriers avoid the exhaustive journey.

Yet, I say that if one chooses to face the layers of their own dissected childhood, that through the exhaustion, tears and haunting images, learning to stay grounded and traveling into Dissociation has been one of my strongest developments.

Vennie Kocsis is a 2016 Amazon best-selling author of CULT CHILD, a memoir detailing her abusive childhood in Sam Fife’s Move of God cult. She is currently writing the sequel, RISE OF SILA.

“Dead, Insane or In Jail: A CEDU Memoir” by Zack Bonnie

 “Forgiveness means giving up all hope for a better past.” Lily Tomlin

Let Me Be

art by Jonathan Weiner, San Francisco, CA 2015

Accented with unique and relevant art by Jonathan Weiner of San Francisco, CA,”Dead Insane or In Jail: A CEDU Memoir“, by Zack Bonnie, reveals with precision the mind bending abuse enacted inside of the youth reform industry. “The Cult That Spawned the Tough-Love Teen Industry”, by Mother Jones, explains the birth of this industry and provides the following graph.  CEDU had roots in Synanon and began in 1967.

how_a_cult_spawned_the_tough_love_teen_industry_630x738

It was indeed an industry of profit as parents were indoctrinated with the belief that any slightly “off” behavior by their teenager was a sign of serious problems, resulting in parents not only giving away their children with the belief they were helping them, but additionally being swindled out of millions of dollars.

Dead, Insane or In Jail: A CEDU Memoir” opens with Bonnie taking a ski trip with his father. Subsequent events find a fourteen-year-old Bonnie checked into a youth reform facility in Idaho. He is tricked, and left there against his will. Thus begins the enactment of Bonnie’s mental shattering. Overnight, he joins the ranks of the large number of throwaway youth in the eighties, who eventually were labeled “Generation X“.

With every phone call monitored and Bonnie’s parents receiving false reports of his progress, he becomes trapped in an intricately woven scheme of abuse.  He has no means of escape.  He is unable to relay his alarming conditions to anyone.  Forced through bizarre, psychological techniques to become emotionally naked, Bonnie is often left confused about what is real in his mind.  The children are left unsure of what a right answer to staff questions should be.  They are love bombed, then verbally abused, with severely psychotic mind control rituals. The CEDU facilitators often use the children’s personal family dynamics to manipulate them.

“To not share would be to betray them and the confidences that they shared.  I said the most innermost things that made my voice tremble to admit, bringing an ancient anger and self-hatred to the surface.  It wasn’t just the situation; it was where it was taking me, inside myself.

I’m useless.”

Who used to say that to you?” Keith’s soft voice back at me.

My father.”

Your father called you useless?”

Yeah.

Had he really? Yes, he had.

Say it again. ‘My father said I’m useless.’ Good. It hurt you? Yeah. You can say that again, that’s riiiigth.”

Tess and Keith repeated what we said a lot. Just about every time a kid in my group said something, Jasper, Tess, or Keith was there to repeat it. This is how we always seemed to get roped into going deeper within ourselves.

Rituals involve teenagers verbally confronting themselves and each other.  Every detail of their life is invited to be shared as their overseeing handlers note them to use against the children later.  Rounded into groups, they are put through almost daily, mind bending sessions of unimaginable attacks as staff strategically controls the children into turning on one another.

FullSizeRender

art by Jonathan Weiner, San Francisco, CA 2015

Zack describes session after session, as every part of the children’s emotions are controlled and manipulated.

Bianca, what do you remember about your mom? She used to have a name for you, too, didn’t she?”

I guess so.” Bianca Taylor picked up her cue from Tess.

Yeah. What was her favorite nickname for that beautiful little tyke? Can you remember for me?

She used to call me Rainbow...” Bianca started crying. I wanted to start crying from watching Bianca, who I’d never really even talked to. Seeing raw sadness like that felt like a punch to the solar plexus.

Toughen up.

The berating of kids is a carefully crafted tool.  Broken down into nothing, with their self-image lost and lacking any emotional worth, the children become easier for the staff to manipulate.  Using every piece of their fragile lives, the staff takes as many opportunities as possible to verbally abuse the children.

I can’t hear you, Bianca. A spoiled little bitch? Spoiled little bitch. LITTLE BITCH! Why did he call you that? That’s right, let me hear you.”

Go for it, Wally…GET IT OUT, PEOPLE. That’s RIGHT!”

A SLUT! Who said that to little Daphne? You really let that little girl down, didn’t you?

Yeah? When? After the abortion? Say that again, Narissa – you’ve got to stop being that girl with the reputation? Look at her!

Here’s some tissues, Bianca. Let it go.”

Catch terms such as “bans“, when children are forbidden to speak to one another, and “bad rapping“, children saying bad things about each other, are among a plethora of rituals used to manipulate the minds of vulnerable teenagers.  Meanwhile, the children are allowed to smoke cigarettes and other self-harming behaviors, geared to feed into their anxiety, which grows, the longer they are forced to remain inside of the program.

Bonnie’s writing style allows his reader to easily flow between what he is forced to witness happening to other children and the silent thoughts he is disallowed to ever let leave his lips lest there be intense punishment.  The children are trained to adhere to a system filled with mistrust and expected betrayal of one another.  They are strip searched upon admittance to the program.  They are heavily worked.  They are humiliated in front of one another.

Yet, even trapped inside such a sordid system of complicated tier goals, systematic punishments, humiliation and anger, Bonnie’s resilience becomes his counter weight as he journals.

“Guess what I went through my truth prophet August 9 & 10 and I found out that I basically I was a dick at home. I have been mulling it over in my mind and I know the point of raps and prophets.  Just to make you cry a lot so naturally being the way I am I didn’t cry. – Author journal entry, 11 August 1988 (one month at RMA)”

Through this writing, Bonnie brilliantly flows between descriptive enactment of the program and his attempt to retain a critical thinking mind.  Bonnie takes his reader’s hand and pulls them directly into the center of his deeply intense experiences.

Bonnie navigates the CEDU system until he can no longer withstand the thin line between the reality in his mind and the constant psychological belittlement he daily endures.  One day Bonnie decides to go on the run.  Will he make it out?

Dead, Insane or In Jail: A CEDU Memoir” reveals the sadistic truth of the youth reform’s use of mental and physical abuse to control children.  Never has a book had an impact on my own teenage memories since I was a young person reading “Run, Baby, Run” by Nicky Cruz. The detail through which Bonnie brings his story to life is exceptionally mapped out.

Dead, Insane or In Jail: A CEDU Memoir” is guaranteed to make you intensely feel. You will be outraged. You will ask why and how a human being can do such things to children. You will laugh, and you will cry. You will cheer for the incredible strength and courage Zack journeys into as he brings his teenage memories to life on the pages of this exceptional book.

portrait.jpg

Zack Bonnie

Zack Bonnie is in the process of re-launching his website, complete with an audio-book of  DEAD, INSANE OR IN JAIL: A CEDU MEMOIR, which is available in paperback and e-book. Additionally, he is beginning the publishing submission process for the sequel, entitled: DIJ: OVERWRITTEN.   All of Zack’s work can be explored at his WEBSITE.

To subscribe and stay informed as Zack continues developing his literature, please sign up for his NEWSLETTER.  You may also follow Zack on Facebook and Twitter.

Personal Note: Sometimes a book is so well written, it sinks into the skin of a trauma survivor like me, who found incredible familiarity in the words I read.  This author touched my heart deeply when I met him. The ache in his eyes was familiar. The strength was admirable. The energy was filled with the passion for advocacy. So, dear Zack, please forgive my delay in this long overdue review of your book. I truly wanted to give you the honor you so rightly deserve. Love, Vennie Kocsis  

Soul Genocide

She mimicked normal,
Smiling, wine glass
Lifted pinkie; copied class,
And she remembered back,
Carefree before this jump.

Into ash and stone
Leaping downwards,
This place would never
Feel like home.

Oh, did not she
Understand her strength,
When the wind
Lifts her wings?
To get through the storms
She would forget
Her own dimension
Without hesitation.

Windblown cheeks.
Born weak and
Barely breathing.
Timelines bending,
She had jumped back
To help them
Walk forward.

How the sun will
Burn her feet
And her eyes
Red from crying,
She will die and return,
Float in and out;
Take blows so she could
One day
Reveal
What they hope to hide.

Soul genocide.

Old, decrepit shills
Behind fading veils
Holding onto strands
In their decrepit hands,
They hope to
Keep the rope noosed,
But they are dying
And she is smiling.

Generation of horror
Deserves no honor.

Beliefs created excuses
For perverted abuses.

As the clouds drift
She gazes the sky.
Change comes soon
As moon cycles
Command the tides.
She breathes quiet.

Into the dark matter die.
Take leave of Gaia.

She will vanish one day;
Become dust and ash,
Leaving behind a past
Scrawled on pages,
Telling stories of
Generations who
Perpetrated

Violence
Racism
Sexism
Abuse
Misuse
Judgment
Confinement

The truth they hope
Will continue hiding,

But trees speak loudly
Through vibrational air
And wind carries whispers
When truth is near.

No escape. No pennants.
No hope for Redemption.
They are falling matter
Slowly evaporating,
A virus of sagging skin
Wicked insides and
Accusations of sin.

Be that your heart
Stops beating
To end the weeping
As you become nothing
To nevermore arrive
Alive in existence again.

Be that your breath
Is taken in night dreams
To end the screams
Left over from their
Deviant schemes.

Be that in their death
Release the slaves,
The mind overtaken
Now re-awakened.

She spins circles
In the dirt
A line for every soul
Their apathy has hurt
And she prepares
To hunt, eyes closed.

©VennieKocsis