emotion

Child Abuse Injuries


These are the days when my childhood haunts me; when my hips ache like they’ve been beaten with a mallet; when my neck goes tight all the way down to my lower back, and the irritation sits deep in my throat. These are the days I hold private, away from the possibilities of careless minds. These are the days I ask why they did that to me as a child, leaving me with sporadic days where my sacrum cries out in pain from the shatters, and I struggle to move myself around, when all I want to do is keep my legs propped up to relieve the pressure from my hips. When physical pain is a result of childhood beatings, and there is no cure, a rage fills you, because you didnt consent to be broken. So I go quiet, and I cry through it, and then I rise the fuck back up.

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Underneath

Underneath the energy
Called skin, I
Am weighted, a
Reinvented spawn of
Seeds processed through
Universal time.

You said you
Didn’t know how
such things happen.

You lied.
I felt it inside.

I sat confirmed,
In the least, smiling.
They were duped, used,
Arrogantly believed it
Was special gifts
They received.

Oh, you fools.
We gave you nothing.

Instead, we insured a
Planetary pureness, after
You had purged the Mother,
Wringing her like a sponge,
And so the consequences will
Burn you to ashes.

Stone.

This is not your home.

Displaced energy you
Disrupt the synergy of
Life with your anger and
Separated strife, while
You beg for balance,
Yet choose to comply.

Time has bent backwards
As the hybrids rise,
Bringing in tides of
DNA advancement.

You see,
The Cabal never
Stood a chance.

We just observe them
Believe so, and in
The crevices of the skin
We live waiting
To activate the gleam
That will finally
Melt the screens
So the sleepers can see.

©VennieKocsis.com

Soul Theft

It happened early Tuesday morning. It has taken me this many days to verbalized it. Describing violent images is not an easy task. You see, the heart beats faster and faster. The head gets heavy. Hands shake. You close your eyes into short meditative moments, breathing and counting.

Inhale. 1. 2. 3. 4.

Exhale. 1. 2. 3. 4.

With each breath I center. This is not reality. This is violent imagery, seeping the emotions hiding inside my body’s cells.

The dream.

I am in the third perspective, observing. I have floated to the ceiling, and I am looking down upon the scene.

I am on a bed. I have on black pants and a white, short sleeve t-shirt. I am flat on my back. My arms are beside my body, which is completely straight. I cannot see my feet.
The bed is surrounded by people standing shoulder to shoulder. They are not moving. They are silently looking at me as if assessing their handiwork. They are gray forms. I cannot see them clearly. They look almost like carved out statues except for their left hands. Each one is holding a large knife in their hand. It is dripping with bright red blood.

From my unnoticed perch I’m the ceiling I am quizzically observing my own stomach and chest area. I feel no emotion as I look. It is hacked into so many pieces it mimics brutally tenderized meat. Blood is soaked into the white sheet all around me.

My gaze moves to my face. I believe I am still alive. My eyes are black. My facial expression looks peaceful. There is no scream to my mouth or contortion.

“How odd.” I think.

I awaken with a start, my muscles jerking, my heartbeat rapid, and I look at the clock. It is 7 am. I have chills in my skin. I curl beneath the covers, turn on a movie and make my mind try and forget. The images invade my day, drifting in and out. I know this will fade. I have been here so many times now, in the aftermath of violent night travel into the subconscious.

I bring out the emotion there. I hold it in my hands. It is the ghost wounds of countless stabs cast into the center of my spirit. I let it fade until I can be here now, scribing it without tears.
Digital Art ©VennieKocsis.com

The Runner

You see, every time I fall you leave, and I am here, bandaging new wounds, layering on salve to make the pain dispel.  

You have a story for every empty space. I sit with black abysses in mason jars, overlooked, a puppeteer with the strings cut. You can’t understand the intricacy of these caves. Your legs cannot withstand the waves. So, I run away. 

Leaving has always been easy. I found happy a home in the woods where we roam alone. Strength has gathered. Sight is so keen there are sometimes too many dimensions being gleaned. Another memory for the pages. More words for the prose. 

I become a memory incapable of duplication; that “crazy girl” you used to know, until one day you looked up, stunned at how high she would rise.  

Abstract Aberration

The Original One wavers, lazily sleeping, snacking and avoiding. Might I silence the fire, burning and buzzing in the spine? We run into the trails, avoiding the undergrowth of tree roots pushing their way through the ground.  We grab at leafy branches.  She’s an avalanche avoiding her own rubble.   Sideways in the gradients lingering around our eyes, the shadows whisper.  They run beside us, and we wonder if we are shadows to them, dark echoes leaning against their eyelids.  Where do we go when the pressure explodes and the heart is torn?  Where do we scream the aftermath? Into pillows, the skies or buried inside?

Words. We create language for the anguish.  The Brave One stands in her place, warrior and explorer of the past.  She will find answers for the empty spaces.  Don’t fear the faces.  Look into their eyes.  Don’t cry.  We stand beside oceans, gazing through windows of waves.  One day the illusions will pass and the pieces of the flashes will merge into view.   We  see truth for what it is, a planted alibi to cover every lie the truth hides, and humans will bend at their knees to kiss the feet of the malevolent just for a promise of heaven.

The Dark One peers, silently into the whispers, always with us, there are none who can attack our back.  It is revealed in instances, and she chuckles, amused at the minions.  Might she cut open the simulated empathy being used as weaponry by the mind swindlers?  Taking a piece of each, she throws their banter into the dark matter, and turning her face, strides away.  There are days when she is habitual, residual and invisible.  There are moments she is unaffected, stone faced and solid, looking at the rejected faces of the displaced, with malice.

They are an inconsequential waste to this place and should die off, jump cliffs and return into nothingness.”

The Wise One watches, taking in the whole of their life, assessing and regressing into the violet of her quiet.  Traveling back, she brings the messages so they can know the next step.

Nothing is permanent.” She says. “Stay inside the moments.”

We hold hands in the color tunnel where the memories funnel in.  We rewind back, watching the past, progress to the present and the continual disturbance.  The film strip plays sporadically and without warning, disarms the army.  We didn’t morph into what was intended.  We’ve pretended for years, watching you, and now we see all the way through.  You’ve been duped.

(cover art by Simona Ruscheva “MPD” oil on canvas)

She | Otherkin

She will expire in loneliness, the kind that creeps up slowly, meshing itself into all of the times she said she was alone but never lonely. Alone will be the only space in which she finds the deepest solace and the heaviest weight.

She will spend the remaining years in quiet; just her and the wheel members, existing together in conversations unheard or misunderstood by humans. Together they will create an impenetrable wall too high for the eyes of the predatory passerby.

She will watch the silent control; men who secretly love rubenesque skin, yet deeply unable to withstand the idea of public criticism; the possible judgment being the chains binding them to appearance, sexualization of the body, a trophy meant to impress. She will watch them undress and repress the feminine just to satiate their own selfishness.

She will dive inside the pupils of women who silently cry; sometimes with their tear ducts; sometimes quietly out of sight. She will observe the ones with coldness in their eyes, a result of too much twisting of their minds; finding relevance on the outside as their souls wander aimlessly away from their seeding.

She will long for home daily, actively making time with the present, founded by the past, carving new paths in the stone walls she frequently encounters. Lights in the clouds will become consistent reminders, and the trees will become her reprieve. This, her pre-chosen destiny.

To brave the human existence with the horror and the persistence of struggle, she will crawl through mud, huddle in corners and stand on mountain tops screaming for the humans to stop.

There isn’t much time left. Forty years will leave in a blink. She will adventure alone, finding no companion to dive the seas as she leaves them in the shallows to create dances with the coral reefs.

Days will become a continuum of journeys into the blackness where dreams reveal truth, becoming invisible for days; tear letting, but she will never spend a moment on regretting.

When cells are splitting inside her spine, stretching and weaving; as her guides help her rewind time, revealing the stealing of innocence, she is consumed with persistence, focus and dedication to the mission.

Still her human heart winces at moments captured by lovers, gazes of adoration she has never received, and she will remove herself from the dimension where she doesn’t feel welcomed.

She will spend her days floating inside the hoping that she will not succumb to distractions of attractions or conversations material, a viral suck hole for her soul.

Duality has almost disappeared. Her visual has risen to an observant height where she hears whispered reminders.

“You did not come here to be human. Don’t let them confuse you.”

She can no longer couple with their genetics; cannot allow their entrance or the convolution of her elegance. She holds shields, because the charming deserts contain killing fields.

She will look back on the ways she tried to be like them; begged for acceptance from humanoids riddled with rejection, and she will understand the path more clearly.

She will never know the touch of intimacy, lost in infancy, never held out of love, past the age of three.

She will become accustomed to the solitary, the human inconsistencies and lack of loyalty. She will cease attempts to be a part of them; to engage in their normalcy, for her, a foreign objectivity of monotony.

She will understand that she is not here for the endearing hope of comfort for her tears. She will close portals once opened, and they will become caves no longer necessary. We will lock the cages that once disengaged our aching, opening ourselves for the taking. We will become a closed army, many warriors inside of the One, and few will ever penetrate, once she turns the key, locking out their apathy.

She has floated inside of the Empath, fourth dimensional perspective where the rejection doesn’t break her as it once did; where she turns her back on the weakness of the narcissist, no longer their prey.

She stands on wooded trails alone, the trees and clouds her Earth home. She gazes the moon, Artemis smiling through the night sky. She goes astral, flying through time, past the stars and into the gate where her Otherkin wait.

Some Day I Want to Walk In

Some day I want to walk in
And there you sit
Candles lit
Silence

Some day I want to walk in
To the smell of your cooking;
Turn my head to
Catch you looking
Gazing
Amazing

Some day I want to walk in
Strip to nothing
Spend hours in your sin
Breathing
Being

Who are you?
Where do you hide?
I have searched,
Allowed strangers inside
Broken
Hoping

Some day I want to walk in
And it be you
No longer invisible
Tangible form
Reborn

I don’t want to be
Torn anymore
Tears have me dehydrated
My love heavy
Heady
Hazy

Some day I want to walk in
To peace and know
For the first time
What it’s like
To be both Queen and Daughter
Loved by my King and Father

Some day…

Vennie Kocsis